The L Word
An intimate drama series about a group of lesbian friends struggling with romance and careers in Los Angeles.
E1
A shocking revelation about the fate of a major character leads to a season-long series of flashbacks that will reveal the events leading up to the tragedy.
E2
Bette and Tina discuss plans for a new life together, but the reappearance of an old acquaintance of Bette's threatens their future; Tasha and Alice seek counseling for their compatibility issues; an old flame sends Helena reeling.
E3
The negative of Jenny's movie goes missing, while Shane's apologies to her are finally noticed; Jenny dismisses Alice's aspiration to write a screenplay; Phyllis shares a secret with Bette; Kit and Helena open a new nightclub.
E4
Shane and Jenny are still melting over each other; Bette and Tina meet a potential birth mother; Max tries to deal with being pregnant; Alice and Tasha play matchmaker; and Kelly Wentworth (Elizabeth Berkley) may have what Bette needs.
E5
Jenny writes another script that sells; Bette and Kelly go into business; Alice and Tasha have a third-wheel crush; the girls plot a sting operation to test Dylan; Jenny encroaches further on Shane.
E6
Jenny throws a baby shower for Max; Bette and Tina hit a roadblock in the adoption process; Bette goes solo to her gallery's opening night celebration; Shane is feeling boxed in by Jenny; Alice starts to feel like three is a crowd.
E7
Rumors fly around a dance marathon that Alice and Tasha are having relationship trouble; someone plans a move to the Big Apple; Kit meets a real man; there's a no-show at the bus station.
E8
A celebration of friendship ends in a web of betrayal and deceit as the girls find themselves in the slammer with a detective investigating the death of one of their own.
E1
Shane derails plans to move in with Paige, then suffers the consequences; Jenny returns from vacation with a billionaire movie financier in tow; Phyllis has doubts about her romance with Joyce.
E2
Tina's obvious affection for Bette affects her dating prospects; Shane's last-minute gig styling hair at a wedding results in a series of erotic encounters; Tasha reveals her reason for not shipping out to Iraq.
E3
Shane swears off sex and reaps the health benefits with new energy and focus; Tina's dating woes finally improve; Max ponders a mutual same-sex attraction to Jodi's interpreter; The Planet is burglarized and Kit attacked after hours.
E4
Bette's jealousy over Tina's new girlfriend is the probable cause of a surprising moment; Jenny is courted for the lead in her movie by the latest It girl; the gang attends the opening of a new lesbian club competing with The Planet.
E5
Jenny throws a bash to introduce her friends to the actresses playing them in her movie; Bette and Tina try to deal with a rekindled spark; Alice outs a secretly gay sports star after he utters a homophobic slur, sparking a media firestorm.
E6
The production of "Lez Girls" finally begins as Jenny deals with a recalcitrant star; Bette and Tina struggle with their rekindled feelings; the owners of SheBar take their war against the gang to the next level.
E7
Clashes between actresses on the set of Jenny's movie somehow lead to a night of lesbian Turkish oil wrestling that ends with a visit from the cops; the hard-case colonel in charge of prosecuting Tasha's case arrives on base.
E8
Niki's handlers force her to appear at her movie premiere with a male escort, quashing rumors of her relationship with Jenny; Bette and Tina's anguish increases; Tasha's military review board hearing ends with a surprise.
E9
A heat wave causes temperatures to rise between Bette and Tina, who are trapped in an elevator by a power outage, and between Molly and Shane, whose attraction is discouraged by Phyllis; Jenny catches costars Nikki and Greg together.
E10
A memorial breast cancer bike ride becomes the unlikely setting where Bette and Tina reveal their rekindled passion, Jenny and Nikki shoot a steamy video, Molly stalks Shane, and Alice and Tasha consider a major move.
E11
The enigmatic and mysterious Adele finally makes a power play and usurps Jenny as the director of "Lez Girls," while Bette finalizes her breakup with Jodi, and a distressed Kit loses financial control of The Planet to Dawn and Cindi.
E12
Shane predictably pulls away from Molly when the relationship becomes serious; restored as heiress to her family fortune, Helena uses her wealth creatively; Jenny's film is complete but she is betrayed by a close friend.
E1
Bette kidnaps baby Angelica until a custody agreement can be brokered with Tina; Shane jilts Carmen at the altar and spirals out of control; Jenny is reunited with Marina; Helena's mother cuts her off.
E2
Bette adjusts to her new job in academia for a formidable new boss (Cybill Shepherd); Jenny's book receives a scathing review; Tina must fire Helena from the studio, leaving her nowhere to go but accept a roommate offer from Alice.
E3
Bette embarks on an ill-advised affair with a teaching assistant, and her boss Phyllis comes out; Jenny tries to dig up dirt on the journalist that panned her book; Tina throws a party; Shane gets Helena a job at WAX.
E4
Bette deals with an artist (Marlee Matlin) whose work is politically incendiary, and fears the potential for disaster in the relationship between Phyllis and Alice; Tina is rejected by her friends at a softball game and joins the opposing team.
E5
The tryst between Bette and her TA threatens her new career; Alice breaks up with Phyllis after meeting her husband; Tina discovers Angus with her au pair Hazel; Jenny publishes a short story in "The New Yorker" that infuriates Alice.
E6
Bette enjoys a new romance even as she clashes with Tina over the baby's preschool and weathers the emotional fallout of Alice's split with Phyllis; Helena, Shane and Alice learn how to play poker.
E7
Jenny's short story about her friends sparks interest from Hollywood; Helena struggles to pay back her poker debt; Alice's new girlfriend Tasha experiences flashbacks to the war in Iraq; Bette and her new girlfriend console Phyllis.
E8
Jenny's revenge on her critic backfires in front of her agents; Alice and Tasha disagree over the war in Iraq but find common ground romantically; Tina meets Bette's new girlfriend Jodi; Kit unloads publicly on the cheating Angus.
E9
Tina and Jenny have creative differences over the development of their movie; Alice and her friends console Phyllis's heartbroken husband; Bette and Jodi's relationship might go to the next level if Bette can curb her Type-A personality.
E10
Kit binge-drinks while Angus tries to apologize for his infidelity; Alice finds investors in her blog, but with strings attached that involve Jenny, who finds the perfect director for her movie; Bette's control issues make an ugly appearance.
E11
Jenny's serialized short stories hit home for Bette, who faces losing Jodi to an art center on the east coast; Iraq flashbacks haunt Alice's girlfriend Tasha, who is ordered by a commanding officer to hide her sexuality.
E12
Tina returns to lesbian life while Bette seeks her advice on wooing Jodi back; Shane's relationship with single-mom Paige becomes serious; Tasha must return to Iraq; Phyllis pursues a divorce; Jenny may get fired from her own movie.
E1
Bette and Tina try to rekindle their sexual groove after having a child; road rage grabs hold of Alice as she chases after Dana through the streets of Los Angeles; Helena purchases a movie studio; Jenny returns with a new girlfriend.
E2
Flamboyant party promoter Billie Blaikie sets up shop at The Planet; Alice refuses to let Helena throw out her life-size cut-out of Dana; Jenny wants to be more than just friends with Moira; Bette feels her life is out of her control.
E3
Shane goes to work at Venice Beach's coolest new skate shop, WAX; Jenny brings Moira home to L.A. and introduces her to the girls; Kit finds a friend in Bette and Tina's nanny, Angus; Alice continues her emotional tailspin over losing Dana; Bette refuses to curb her spending; Tina goes to work for Helena.
E4
Jenny freaks out after Moira disappears all night; Bette takes on Washington; Carmen spins for Russell Simmons; Billie Jean King interviews Dana at a tennis match; Kit wonders if she has made the right choice with The Planet's new charge d'affaires; Helena falls for a straight documentary filmmaker.
E5
Dana gets the results of her biopsy; Alice meets Uta, a lesbian "vampire;" Bette finds an open door into Tina's chat room; ex-flame Cherie drops into WAX - and Shane's chair; Jenny gets word a publisher is interested in her book about Moira / Max.
E6
Tina continues to struggle with her sexual feelings for men; Kit gives in to Angus; the girls rush to the hospital to be by Dana's side; New York comes calling to Jenny; Moira finds a shortcut to getting male hormones.
E7
Jenny injects hormones into Moira; Dana undergoes chemotherapy; Shane and Carmen get matching tattoos; Alice frantically searches for her Dana cut-out; the B52's perform at The Planet; Kit fires Billie; Tina takes a step toward Josh.
E8
Moira informs everyone she is to be called Max; Kit gets a helping hand from Nona Hendryx; Helena takes Dana and the girls to a basketball game; Jenny gets busy trying to throw Max a benefit party; Tina moves out of Bette's bed; Dana gets a new look.
E9
Dana looks like she's on the road to recovery; Carmen comes out to her family; Helena gets slapped with a lawsuit; Jenny attends a transsexual support group meeting to help her deal with Max; Bette continues her struggle to find inner peace.
E10
When Dana takes a turn for the worse, Alice keeps vigil at her bedside; Carmen drops the unexpected on Shane; Bette finds inner peace elusive; Jenny introduces her ex-husband Tim to Max; Tina settles in with Henry.
E11
Alice steals some of Dana's ashes; Bette thinks about fighting for sole custody of baby Angelica; Lara arrives home too late; Max finally lands a job - one for which Moira was rejected.
E12
The girls plan for Shane and Carmen's wedding while still grieving for Dana; Kit discovers that she's pregnant; Bette considers her legal options for obtaining sole custody of Angelica; Jenny realizes the truth about Max's quest to fit in.
E1
Tina rebuffs Bette's attempts at reconciliation while Jenny prepares for an emotional farewell with Tim.
E2
Tina hires a famous lawyer to represent her in the split with Bette; Jenny has a serious heart-to-heart with Robin; Kit's purchase of The Planet is finalized.
E3
Kit preps The Planet for its grand reopening. Shane becomes Jenny's new roommate and Bette's emotional tailspin continues.
E4
Jenny and Shane search for a third roommate and choose Mark, a straight boy very intrigued by the lesbian lifestyle, while Kit becomes attracted to a motivational self-help guru.
E5
Mark launches a new video project: taping Jenny and Shane; Bette and Tina's brief reunion is marred when Bette gets some bad professional news from Helena Peabody.
E6
Tina moves out and considers her attraction to Helena; Alice gives Dana an ultimatum but Tonya has a shock in store. Jenny and Carmen bond, encouraged by Shane.
E7
Alice and Dana tentatively begin dating, while Tina comes between Helena and her ex, Bette rejoins the singles scene, and Shane dulls her pain over Jenny and Carmen.
E8
Bette and Tina agree to forge a new relationship; Jenny loses a chance to ghost-write a macho TV star's autobiography because she's gay; Shane goes to church.
E9
Alice's sex-toy request freaks out Dana; Jenny learns the truth about TV star Burr - and about Carmen's feelings for Shane; Bette and Tina have a brief encounter.
E10
A lesbian cruise in the Caribbean proves eventful for Dana, Alice, Shane, Jenny and Carmen, while Bette and Kit struggle to connect with their aging father Melvin during a visit.
E11
Against the backdrop of a gay-pride parade, shocking secrets are revealed about Dana's brother and Jenny's past, while Bette and Kit deal with their rapidly deteriorating father.
E12
Bette moves her father, played by Emmy-nominated actor Ossie Davis, into her home for his final days, as Alice struggles with her jealousy over Dana's dinner with an ex, and Jenny flirts with danger while confronting a repressed memory.
E13
Melvin's memorial service is attended by a surprise guest; Bette is fired by Franklin, then coaches Tina through what turns out to be an unexpectedly difficult labor and delivery; Jenny is in trouble and asks for help.
E1
Jenny moves to L.A. and meets her new lesbian neighbors.
E2
Jenny moves to L.A. and meets her new lesbian neighbors.
E3
Bette and Tina wait eagerly to see if Tina will get pregnant; Tim, unaware of her encounter with Jenny, invites Marina to a dinner party, while Kit tries to make amends with Bette.
E4
Bette takes a desperate step to win her battle of wills with the chairman of the gallery board; Jenny struggles with her feelings for Marina; Alice tries to regain her self-respect after a run-in with an ex; Dana finally gets a date with Lara.
E5
Bette greets Tina's pregnancy with apparent delight despite problems at work; Jenny's affair with Marina threatens her relationship with Tim; Dana's paranoia about the possibility of being out continues; the problems of Alice's mother escalate.
E6
Tim discovers Jenny's affair with Marina - leading to a potentially disastrous choice for the couple's shaky relationship; the reaction of Bette's father to Tina's pregnancy devastates Bette and leads Kit to confront him on her behalf.
E7
A rising artist in New York tests Bette's commitment while the sperm donor's girlfriend discovers a lonely Tina and starts harassing her; Tim returns home alone while Jenny gets a ride from two disaffected teenagers.
E8
Tim rejects Jenny, who learns about Marina's other lover; Bette struggles with fears about parenthood, as Dana runs from Lara and Kit is stung when her son doesn't show up for their meeting.
E9
Identities are in question as Jenny tries to explain her situation to an old friend, Dana comes out to her conservative parents, and Bette considers her self-image.
E10
Jenny is more confused and torn than ever between Marina and Tim; fame and all its complications find Shane; Kit rehearses for a hip hop music video.
E11
Tina's grief is eased by volunteer work; Bette defends the gallery against a right-wing attack; Marina has a fight with Francesca.
E12
Bette hires an attractive contractor to set up for the gallery's new show; Tina, Jenny, Shane, Alice and Dana take an eventful trip to Palm Springs.
E13
Bette lands in jail thanks to a near-riot at the gallery; Marina contemplates life without Francesca as Tim and Jenny discuss divorce.
E14
Tina learns the truth about Candace; Dana loses a friend but gains a fiancee; Jenny finds herself in another romantic quandary involving Marina that pushes Tim further away.
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